Presented by the Forum of Sections Chair: Jürgen Diet (IAML Vice President, Bayerische Staatsbibliothek)
Barbara Schwarz-Raminger (Mozarteum University Salzburg), Birgit Lechner (Mozarteum University Salzburg), Armin Brinzing and Eva Neumayr (International Mozarteum Foundation) The “Mozarteum”: A history of musical life in Salzburg since 1841
*Hippocrates Ching-nam Cheng (Indiana University) Reverberating through time: A study of player piano roll archiving at Stanford University (SUPRA)
David Day (Brigham Young University) A history of autograph musical manuscripts at Brigham Young University
Presented by the Audio-Visual Materials Section Chair: Ferenc Janós Szabó (Institute for Musicology of the Hungarian Academy of Sciences and the Liszt Ference Academy of Music)
Duncan Shelwell (Recordiana, Cape Town) Discovering "L’Assedio Dei Sogni, The Siege of Dreams”
Sinazo Mtshemla (University of Fort Hare) Reading Govan Mbeki’s sound(s) archive as “infrastructure” that enables collective listening
Timóteo Cuche (University of Aveiro; Eduardo Mondlane University) Migrant harmonies: A discographical analysis of the Mozambican musical diaspora in South Africa (1930-1975)
Presented by the Forum of Sections Chair: Jim Cassaro (University of Pittsburgh)
Brian Inglis (Middlesex University) Music publishing in the late 20th and early 21st century: Case studies in diversity and dissemination
Houman Behzadi (McGill University, Montreal) How well are we walking the walk? Modest though meaningful steps to support user demands for scores from underrepresented composers
Kevin Page (University of Oxford), David Lewis (University of Oxford), David Weigl (University of Performing Arts, Vienna) Annotating digital music notation: Past, present and future approaches
Presented by the Forum of Sections Chair: Kimmy Szeto (IAML Treasurer, Baruch College, CUNY)
Ruta Almane-Palmbaha (National Library of Latvia) Digital collection of the Latvian song and dance celebrations then (2018) and now (2023)
Jonathan Manton (Yale University) Prioritizing preservation through access: Placing digital stewardship at the heart of digital collections access at Yale University Library
Nkwenkwezi Languza (National Archives of South Africa, Pretoria) Advancing the preservation of South African memory: The digitisation of the Rivonia Trial dictabelts - Exploring future directions and emerging challenges in archiving South Africa’s audio heritage
Presented by the Archives and Music Documentation Centres Section Chair: Joseph Hafner (McGill University, Montreal)
Section elections
Maria João Albuquerque (Nova University, Lisbon), Teresa Albuquerque (Polytechnic Institute of Castelo Branco), Mónica Costa (Polytechnic Institute of Castelo Branco), Joana Gonçalves (Polytechnic Institute of Castelo Branco) The Portuguese musical heritage: A methodology for enhanced knowledge, preservation, and access
Clara Byom (Klezmer Institute, Albuquerque) Archiving music based in oral tradition: The Klezmer Archive project
Presented by the Libraries in Music Teaching Institution Section Chair: Charles Peters (Indiana University)
Jürgen Diet (IAML Vice President, Bayerische Staatsbibliothek) Digital services for musicologists and music librarians in the musiconn-project offered by the State Libraries in Bavaria and Saxony
*Anna Dimoula, *Jason Cohen and *Kineret Ben-Knaan (University of Miami) University of Miami Libraries in partnership with the Frost School of Music in creating a digital submission process for graduate students: Workflows, policies and access
*Jake Schaub (Vanderbilt University, Nashville) The building of a small digital library: AIDS songs of northern Malawi
Presented by the Service and Training Section Chair: Katherine Penner (University of Manitoba, Winnipeg)
Section elections
Nathalie Hristov (University of Tennessee) and Kathryn Shepas-Linton (Vanderbilt University) The Music by Black and Latinx Composers Collection at the University of Tennessee: Realigning music library collections to reflect modern updates to the canon of Western art music
Annemie Behr (University of South Africa, Pretoria) Collaborative teaching in tertiary music education through OERs
Carolyn Doi (University of Saskatchewan, Saskatoon) Toward a more inclusive academic music library collection: The Canadian perspective
Presented by the Archives and Music Documentation Centres Section Chair: Joseph Hafner (McGill University, Montreal)
*Joseph Kunnuji and *Matildie Wium (Odeion School of Music) Resounding Yorùbá narratives: Analysing Àlọ́ prosody through sound visualisation technology in contemporary archival studies
Mieke Struwig (Stellenbosch University) The South African Music Encyclopedia: Perspectives from the archive
*Lucas Campos (University of Aveiro) Angolan chordophones in Portugal
Presented by the Cataloguing and Metadata Section Chair: Christopher Holden
Joseph Hafner (McGill University, Montreal) METATEC: The next step in publishing IFLA standards
Matthias Pasdzierny (Universität der Künste, Berlin) and Thomas Kraemer (GESIS - Leibniz-Institut für Sozialwissenschaften) APSearch.org – Making historical sound recordings from the Arab world findable
