Presented by the Forum of Sections Chair: Jutta Lambrecht (Westdeutscher Rundfunk, Köln)
Dominic Daula (Rhodes University, Makhanda) On source material pertaining to the ‘Duo Concertante’ for viola and piano by Arnold van Wyk
Ingrid Gollom (Stellenbosch University) An overview of the life and career of South African concert pianist Lionel Charles Bowman (1919-2006) as compiled from the primary source material in the Lionel Bowman Collection (Stellenbosch University)
Bret Werb (United States Holocaust Memorial Museum) An overview of archival music resources at the U.S. Holocaust Memorial Museum
Presented by the Forum of Sections Chair: Martie Severt (Koninklijk Conservatorium Den Haag)
Anita Breckbill (University of Nebraska, Lincoln), Mnukwana Ncebakazi (Stellenbosch University) Freedom: Anders Nyberg and the spread of songs from South Africa
*Ifeanyi Okafor (Nnamdi Azikiwe University, Awka) Songs of the women of Anglican Diocese of Nnewi, Anambra Sate, Nigeria: The need for documentation
Presented by the Forum of Sections Chair: Martie Severt (Koninklijk Conservatorium Den Haag)
Jürgen May, Inge Engelbrecht and Anke Froehlich (Stellenbosch University) The Genadendal Music Archive (GMA): A challenging affair
Esther Pauw (Stellenbosch University) Curating a colonial archive: The Tamássy-Pauw flute and chamber scores collection
Jan Dewilde (Centre for the Study of Flemish Music; Royal Conservatoire Antwerp) Musical expressions of support by Flemish composers to the Afrikaners during the Boer Wars (1880-1902), conserved in Flemish music libraries
Presented by the Forum of Sections Chair: Charles Peters (Indiana University)
Paul Guise (Cultureconsult.ca, Toronto) Scotch tape and milk crates: Building an efficient music processing workflow
Joseph Hafner (McGill University, Montreal) McGill University Collections Centre: Navigating the journey to a sustainable robotic off-site library storage facility
Presented by the Forum of Sections Chair: Sonia Rzepka (University of Warsaw, Poland)
Pascal Leray (CNSMPD, Paris) and *Isabelle Gauchet Doris (Maison de la Musique Contemporaine, Paris) Crossed views on contemporary music collections: A day-to-day collaboration by documentalists, librarians and archivists
Aris Bazmadelis (Aristotle University of Thessaloniki), (Arsinoi Ioannidou (RISM Greek Office, Athens) and Maria Aslanidi (Ionian University, Corfu) Librarians and information scientists in Greece: The case of music librarians: State of the art and challenges for the future
*Benjamin Amakye-Boateng (University of Ghana) Cross-cultural musicology and the role of libraries: Insights from the University of Ghana Music Department
Paul Burger (University of Pretoria) and J. P. Jacobs (University of Pretoria) Direct labelling of form of Classical-period piano sonata movements from audio recordings (short paper)
Edward Hulme (Cardiff University), David Marshall (Cardiff University), Kirill Sidorov (Cardiff University) and Andrew Jones (Cardiff University) Acoustic classification of guitar tunings with deep learning (full paper)
*Thomas Nuttall (Universitat Pompeu Fabra), *Xavier Serra (Universitat Pompeu Fabra) and *Lara Pearson (Max Planck Institute for Empirical Aesthetics) Svara-forms and coarticulation in carnatic music: An investigation using deep clustering (full paper)
Rachel Cowgill (School of Arts and Creative Technologies, University of York), David Bainbridge (Computing and Mathematical Sciences, University of Waikato), Alan Dix (Computational Foundry, Swansea University; Cardiff Metropolitan University), Victoria Hoyle (Dept. of History, University of York), Vicki Fong (ThomFong) and David Thomas (ThomFong) (Re-)capturing the emotional geography of lost venues: A case study of the Willow Community Digital Archive (full paper)
David Lewis (Oxford e-Research Centre, University of Oxford) and Kevin Page (Oxford e-Research Centre, University of Oxford) Popular musical arrangements in the nineteenth century home: A study of the Harmonicon supported by digital tools (full paper)
Lena Frömmel (Paderborn University), Tobias Bachmann (Paderborn University), Anna Plaksin (Paderborn University) and Andreas Münzmay (Paderborn University) Open Edirom: From hybrid music edition to open data publication (short paper)
Martha E. Thomae (Nova University of Lisbon), David Rizo (University of Alicante; Instituto Superior de Enseñanzas Artísticas de la Comunidad Valenciana), Eliseo Fuentes-Martínez (University of Alicante), Cristina Alís Raurich (ICCMU Instituto Complutense de Ciencias Musicales), Elsa De Luca (Nova University of Lisbon) and Jorge Calvo-Zaragoza (University of Alicante) A preliminary proposal for a systematic GABC encoding of Gregorian chant (full paper)
Andrew Hankinson (RISM Digital Center) and Laurent Pugin (RISM Digital Center) Navigating the RISM data with RISM Online (full paper)
*Tiange Zhu (Conservatoire National des Arts et Métiers), Raphaël Fournier-S'Niehotta (Conservatoire National des Arts et Métiers) and Philippe Rigaux (Conservatoire National des Arts et Métiers) FACETS: A tool for improved exploration of large symbolic music collections (short paper)
Stanisław Graczyk (Institute of Computing Science, Poznan University of Technology), Zuzanna Piniarska (Institute of Computing Science, Poznan University of Technology), Mateusz Kałamoniak (Institute of Computing Science, Poznan University of Technology), Tomasz Łukaszewski (Poznan University of Technology), Ewa Łukasik (Institute of Computing Science, Poznan University of Technology) An online tool for semi-automatically annotating music scores for optical music recognition (short paper)
*Kevin Allain (City, University of London), *Tillman Weyde, City, University of London JazzDAP: Collaborative research tools for digital jazz archives (short paper)
Presented by the Forum of Sections Chair: Stefan Engl (IAML Vice President, Wienbibliothek im Rathaus)
Rachel Cowgill (University of York) Musical Heritage, place-making and the archive: Some perspectives from the StreetLife project (City of York, UK)
*Christian Onyeji (University of Nigeria) How accessible are the music?: Challenges of field recordings and documentation of folk music in contemporary Nigeria
